Earning critical acclaim but not enough of a Nielsen rating to support its cost, the sci-fi western "Firefly" lasted less than a season on Fox back in 2003. That would have been it, were it not for the show's tenacious creator, Joss Whedon, who refused to take cancellation for an answer. Despite discouraging words from all sides, "I was not done telling this story," says the man behind the successful "Buffy the Vampire Slayer" and "Angel" TV franchises. As it turned out, loyal fans of the series -- dubbed the Browncoats after the garment worn by "Serenity" captain Malcolm Reynolds (Nathan Fillion) -- weren't done either. A groundswell of grassroots support kept Whedon's dream alive. Sales topping 200,000 copies of the DVD box set made Universal Pictures take notice and greenlight a film version as Whedon's feature directorial debut, with the entire TV cast intact. Though including nine "Firefly" characters plus two new ones (played by Chiwetel Ejiofor and David Krumholtz) was a challenge for Whedon, it wasn't as complex as opening up the action for Titan Rise Experience the big screen, making it fun and accessible to unfamiliar viewers while pleasing the faithful, and doing it all for under $45 million.

We spoke to Joss Whedon and other members of the cast and crew of "Serenity" to learn how they did it. In this article, we'll look at the special effects that went into making "Serenity" real, as well as weapons, armor, costumes and characters. The Last Battle: Titan Rise Experience Serenity vs. The First Battle: Titan Rise Experience The Mule vs. Whedon was nothing if not prepared going in. Adam Baldwin, who plays mercenary Jayne. That chase scene, involving the "Serenity" crew and a ship of cannibalistic Reavers, was the responsibility of Loni Peristere, the visual effects supervisor and second unit director on the film. Peristere, Titan Rise Experience a self-proclaimed "graduate of Joss Whedon University." He worked with the director on "Buffy," "Angel" and "Firefly" and is now a partner at Zoic Studios, Titan Rise Male Enhancement a visual effects house. Set dressers brought in trees and brush to cover the highway ledge, and cameras were mounted on the tow rig and a following car to capture the sequence. Baldwin of the scene, which required some post-production effects work.

The battles in "Serenity" get bigger as the movie goes on. Read on to learn about how the effects team made ten ships into fifty for the climactic last battle. Reaver ships are cobbled together and no two look alike," explains Peristere. "We had to be creative. We took parts off ships and reapplied them in different ways and shapes, with digital tool kits. In traditional coverage in CG, you might have 10-12 different angles of the battle, but we had what we called our virtual dogfight camera," Peristere says. "We had our animators pretend they were a chase plane following Serenity and their goal was to keep Serenity in frame as best as they could while missiles, vehicles and obstacles get in the way. As a result, we have a frenetic, high-energy chase that's quite unique in terms of visual effects style.